Measured precision becomes visual poetry in this triptych, where three of the world’s great landmarks are reduced to luminous lines.
The Eiffel Tower, the Statue of Liberty, and Big Ben are drawn as though sketched against night, their outlines glowing in delicate white over a field of black.
The style recalls blueprints, but what might have been technical becomes art, transforming structure into symbol. The effect is contemplative and dramatic, showing not monuments for tourists but visions of design, endurance, and ambition. Light traces replace stone and steel, reminding us that even the grandest icons began as drawings on a page.
In a modern office, they mirror focus and innovation; in a library or study, they connect intellect with artistry; in a loft or hall, they command space with quiet precision. They stand less as souvenirs of place and more as lasting testaments to what imagination and discipline together can build.
